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Latest Reviews
Pitch The SEEfest Review
The SEEfest Review is now accepting pitches on a rolling basis for essays and critiques covering film, literature, art, history, and music. Please review our guidelines before sending us your pitch. We look forward to hearing from you. Due to the volume of pitches we receive, we may be unable to reply to each pitch, […]
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Review: Anora
Weeks have passed since the 2025 Academy Awards ceremony, which took place on March 2 at the Dolby Theatre in Los Angeles. The film Anora by Sean Baker was the evening’s triumph, winning five statuettes out of six nominations, making it the most awarded film at the event. By Aleksandr Tverdokhleb.
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Review: “Bounds” and “I Want a Country”
Where do you go when your country has dissolved or fallen apart? By Allie Rigby
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Review: The Seagull
“We need new forms,” declares Konstantin Treplev, a fledgling playwright and son of an aging actress, of the theatre. By Amanda L. Andrei.
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Review: First Light by Zafer Şenocak
What does it mean to exist in one place, physically, but mentally and emotionally exist elsewhere, simultaneously suspended in past, present, and future? By Allie Rigby.
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Review: God of Carnage
Ah, modern-day parenting. By Amanda L. Andrei.
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Review: Transparent Body & Other Texts by Max Blecher
The only thing more magical than receiving a letter from a friend is reading the letters of a writer you admire, and feeling as if they were sent to you. By Amanda L. Andrei.
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