The SEEfest Review is now accepting pitches on a rolling basis for essays and critiques covering film, literature, art, history, and music. Please review our guidelines before sending us your pitch. As of November 2025, we can offer writers and critics a modest stipend of $25 for articles that range between 300 and 600 words, […]
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Review: Everybody Came to Tana’s by Dan Tana
While being father to two daughters, my sister and myself, was his professed greatest pride, it was perhaps the least extraordinary part of his life.
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Review: Antigone: In the Language of Kings
The resinous scent of burning copal drifts through the arena. A grief-filled keen pierces the air. And a specter of death glides through a battlefield, sweeping corpses into black billows.
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Spotlight on Ryan Radusinovic, Founder of Balkan Comedy Night
35 years ago, in the midst of the breakup of Yugoslavia, it would have been practically impossible to imagine a North American comedy club jam-packed with people tied to different Balkan countries celebrating their cultural differences and similarities through laughter.
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Review: “Green Corridors”
What if the way out of a war-torn country is just as grim as staying?
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In Memoriam: Remembering visionary filmmaker Vlatko Gilić
Mouse bones, owl pellets, and small silver pails appear amidst the dregs of communism, karma, and resurrections as Komelj’s poems play with size and scale from the minute to the epic.
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